Edward Manet - traduction vers Anglais
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Edward Manet - traduction vers Anglais

FRENCH PAINTER (1832-1883)
Edouard Manet; Manet, Édouard; Edward Manet; Manet; Manet, Edouard; Edouard manet; Eduard Manet; Eduoard Manet
  • ''[[A Bar at the Folies-Bergère]] (Un Bar aux Folies-Bergère)'', 1882, [[Courtauld Gallery]], London
  • title=At the Café}}</ref> The Walters Art Museum.
  • ''[[Berthe Morisot with a Bouquet of Violets]]'', 1872
  •  ''[[The Railway]]'', 1873
  • The Luncheon on the Grass]]'' (''Le déjeuner sur l'herbe''), 1863
  • Olympia]]'', 1863
  • ''[[The Races at Longchamp]]'', 1864
  • Self-Portrait with Palette]]'', 1879
  • ''[[Music in the Tuileries]]'', 1862
  • ''[[The Execution of Emperor Maximilian]]'', 1867. [[Museum of Fine Arts, Boston]]. The least finished of three large canvases devoted to the execution of [[Maximilian I of Mexico]].
  • The grave of Manet at Passy
  • Manet's portrait painted by [[Henri Fantin-Latour]]

Edward Manet         
Edward Manet (frans schilder, een van de voorvaders van het Impressionisme)
Hammer of the Scots         
  • [[Caernarfon Castle]], one of the castles erected in Wales during the reign of<br/>Edward I
  • Edward&nbsp;I (right) giving homage to [[Philip&nbsp;IV of France]] (left). As [[Duke of Aquitaine]], Edward was a [[vassal]] of the French king.
  • Edward II}}
  • p=22}}.</ref>
  • Stone sculptures of Edward (left) and Eleanor (right) at [[Lincoln Cathedral]]
  • groat]]s of Edward&nbsp;I (4&nbsp;[[pence]] coins). On the left the obverse shows a head with a coronet. The surrounding text says, in abbreviated Latin, "Edward, by the grace of God king of England". The reverse shows a cross and the text "Duke of Aquitaine and Lord of Ireland", and "Made in London".
  • [[Long cross penny]] with portrait of Edward, struck in London
  • p=plate 14}}.</ref>
  • Burgh Marsh]]. This structure replaced an earlier one and is said to mark the exact spot where he died.
  • Evesham]]
  • Mongols}}
  • Bishop [[William Stubbs]], in his ''Constitutional History'' (1873–78), emphasised Edward&nbsp;I's contribution to the English constitution.
  • pp=n13, 77}}</ref>
  • A 1290 seal of Edward I
  • Remains of Edward I, from an illustration made when his tomb was opened in 1774
  • Kingdom of England}}
KING OF ENGLAND
Edward I; Edward Longshanks; King Edward I; Edward 1; Edward I (England); Hammer of the Scots; Hammer of the scots; Edward I Plantagenet; Edward the First; Edward the Longshanks; Edward I Longshanks; King Edward I of England; Edward I, King of England; Edward i of england; Lord Paramount of Scotland; Overlord of Scotland; King Edward 1st; Edward I Longshanks of England; Edward Longshanks, Hammer of the Scots; Edward I, King of the English; Longshanks; Malleus Scotorum; Edw. 1; The Lord Edward; King Longshanks; Long shanks; Edward Long shanks; King Long shanks
bijnaam van de Engelse koning Eduard de Eerste (1239-1307) die trachtte de Schotten te dwingen zich over te geven
Ted Hughes         
  • Lumb Bank in the Calder Valley
  • The Ted Hughes Arvon Centre, Lumb Bank – an 18th-century mill-owner's house, once Hughes's home
  • Halifax]]
  • Hughes's birthplace in [[Mytholmroyd]], Yorkshire
ENGLISH POET AND CHILDREN'S WRITER (1930-1998)
Edward James Hughes; Hughes, Ted; Ted hughes; Edward James "Ted" Hughes; Carol Hughes (Hughes); Olwyn Hughes
Ted Hughes (een van de belangrijkste dichters uit de twintigste eeuw (overleed in 1998, beroemd ook om zijn tragisch huwelijk met Amerikaanse dichteres Silvia Pelet)

Définition

Longshanks

Wikipédia

Édouard Manet

Édouard Manet (UK: , US: ; French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.

Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters.